On that sizzling hot weekend a few days ago, Coastside musician/artist Fayden drove from Half Moon Bay to Redwood City where he had a musical reunion with friends he hadn’t seen in 38 years.
The guys rented a hall that wasn’t air conditioned “so playing acid rock four-feet up on a stage full of Marshall amps was brutal—— but fun!!!”
When I arrived on the Coastside in the early 1970s, everybody knew Fayden. Well…I’ll let him tell his story as a musician, filled with sweet memories…..
“The band I played with was called “Time”; we were a major player on the peninsula,we played with Country Joe and the Fish, and released a 45.
Before this (and what really made me want to be in music) I knew a wonderful
Italian family who lived down the street from where I grew up.They kind of adopted me
(my parents weren’t home much) and I was there more than not.
The dad was in partnership with two other guys who managed the “New Bedouins”.
He would take me to their performances, and sometimes the group would let me sit in for the
warm-ups as the drummer usually didn’t arrive until the last minute
from his regular job.
This group became the original “Grassroots” that did “Where were you when I needed you?”, and “Mr.Jones”, by Bob Dylan.
Anyway, I popped my lung singing with the band “Time” (acid rock),and so had to start playing more acoustically/folk type music,
I went to Hollywood and worked with Jackson Browne, Dobie Gray, Karen Gunderson (New Christy Minstrels), Lee Mallory (Millennium).
Half the time I was in Hollywood, the other half in the Bay Area– when up here I lived with Ron and Sue Wickersham. Ron was the main
engineer/electrical genius for Pacific recording on El Camino Real and Hwy 92. I got to work with a lot of the people from the Avalon/Fillmore, Tony Lenzini (Steve Miller) Cork Seagull,
Fred Catero, David Rubinson (San Francisco records),
Backin the sixties musicians ran around like a bunch of quaking ducklings whoever was around played, and it was wonderful!!!
I had a little shack in El Granada, and was playing over at the Miramar beach Inn (then called the Shelter Inn, then the Spouter Innor visa versa). Patrick Simmons, and Tyranne (went on to be DoobieBros.), and Peter Grant (played with the “Dead”), and I played there.
Also Mike Mindell (Uncle Jim’s music), Sonny Terry, Brownie Mcghee,Jesse (the lonecat) Fuller (wrote San Francisco Bay Blues), TomScribner(played musical saw on a Beatles song), Hot Tuna and the list goes on.
Clay Fountain, Mike Conrad, Bill Middlejohn, Harry Moore, Kay Quadra,Anthrax (Electra records), so many people (the regulars) played atthe Shelter/Spouter Inn and we all played together later in the
I went to Europe and cut a solo album while on tour with a groupcalled “Steam Hammer”. This was a side group for Ion Anderson. While there I was offered a chance to be in the “Doobie Bros.” by the man who gotthe front money from Warner Bros., His name was Paul–he was one
of the guys from the group “The Mojo Men” who took their royalties and built and owned Pacific Recording where just about all of thesixties albums were made.
If I had known Pat, and Ty were going to be in the group, I would have probably not opted for the solo l.p. andcome back to the states. My l.p. went to the Cannes music festival (representing Bellaphon records.)
I was the first American to write against the Viet Nam War (outside this country). This l.p was blacklisted in the U.S.A.–however it did really well every where else.
When I got back to the U.S.A., I hooked up playing in smaller coffee houses again, recording and working with other folks, who, like myself, were largely the wind beneath the wings of folks most people have heard of.
Chuck Portz was the bassist in the Turtles– he and I had a little band in Montara in the early 1970s. The last time I played (using my union card) was with Waylon and Willie, substituting
for and “Outlaw”, at the Concord Pavillion in 1976.
Then I started building/repairing guitars instead of playing them.
P.S. I play guitar, bass, banjo, mandolin, dulcimer,keyboards, handsaw, and vocals. A little drums, brass, and fiddle.
I’ve written hundreds of songs.
I play and write in a John Fahey, Leo Kottke, style however usually
end up jamming with people in a bluegrass or blues capacity.